Digital Artist Training

I currently run the Digital Artist Training programme at QUAD in Derby. I’m passionate about technology and participation, and about creating opportunities for artists to engage with these in their practice.

The next course starts in September 2016, get in touch for more info.

Fragility of Memory

Fragility of Memory, Buxton Museum 2015. Wax houses built of archive photographs, containing iBeacons playing oral history and music
Each wax house featured photos and oral history from a different town in England.

Wax and resin houses, incorporating archival images from different midlands towns. Each house enclosed an iBeacon which played oral history and music gathered or created through Past Lives Project a cine film, sound, music and photo archive project in the Midlands.

Using an iPad and headphones exhibition visitors walk in between the sculptures, the iBeacons inside the sculptures interacting with visitors through the route they take around work and the time they spend with each sculpture, creating a soundscape bespoke to each person.

This artwork was commissioned by D-Lab project, set up to enable Derbyshire artists to use new technologies in their work.

The iBeacon work was made in collaboration with Locly

Mass Participation, Mapping Derby

Mapping Derby was a project I created for FORMAT International Photography Festival.

FORMAT Festival and QUAD have a strong background in Mass Participation and each festival they run many international and local mass participation projects working with artists and creatives from around the world to deliver these.

Mapping Derby started with the question: How do you engage a photography hungry audience?

The project aimed to engage the photographer (professional and amateur) while still engaging schools, local residents and day visitors. A project that can reach out to everyone, and offer multiple engagement opportunities.

Inspired from a mapping project I worked on for Buxton Museum, and with input from FORMAT’s Curator Louise Clements, I created up Mapping Derby. A simple premise, residents and visitors to Derby were given the challenge of photo-mapping the city. Anywhere that captured their eye, inspired them, held memories, meaning, the city was their canvas.

In an empty shop-come-gallery a public photography exhibition grew day by day, as participants dropped in with their cameras and mobile phones to share their photographs with FORMAT and the city. What made the project engaging and unique was the room-sized Derby map which filled 3 walls of the exhibition space. Using instant photo printers, participants came into the space, printed their photo, attached it to a luggage tag, added text and location to the reverse and then physically nailed it to the wall.

Participants loved the low-tech-meets-high-tech, retrotech affair. The project ran for 2 months, regular participants started dropping in early in the morning to find empty spaces on the map, setting themselves a challenge to fill the gaps in as many creative ways as possible.

To engage the widest possible audience we had a bespoke web application created by 83AV where participants could upload and geotag their photos online.

The project was extremely successful, with over 1000 photographs submitted online and in person, we ran photography workshops and walks from the popup gallery space. Reaching out to a wide audience of participants.

Following on from that, we were invited to run a bespoke version of the project for Rufford Gallery, called Mapping Nottinghamshire. Rufford chose not to go for a  web application for the project. This led us down an interesting line of research into free online engagement tools, we discovered that tumblr offer shared tumblogs which are offer great potential and adaptability for online participation.

The project has been re-written and run again at FORMAT called ‘Derby at Work’ to work with the festival theme of Factory. Visitors and city residents were invited to photograph the working day in all its guises, everything from doing your homework, walking the dog, sitting in the office, commuting to work and everything in between… how do we categorise work in ours and others lives?? This ran from the Chocolate Factory venue with Brendan Oliver from Floating Point Digital writing the web application for the project. Click on the link to Floating Point Digital’s site for Brendan’s version of the project

I’ve since gone on to re-run this project at TATE Britain, working with young people to map their #OffTheGrid spaces, the un-mapped spaces in their lives. How do we categorise the spaces in our lives? The places we go to to see friends, to be alone, to create, to think…? Working with TATE Collective we mapped the unmappable tracing the spaces that we know and hold personal meaning.

I’m currently working with First Art to develop Mapping for their people and places project, which is very exciting as I just love running this project, watch this space for developments.



Inspired by the ‘if onlys’ we each carry around with us, I advertised for volunteers to donate their regrets anonymously. The regret had to be spoken aloud, whether I was in the room, or whether it was recorded was not important, only that it was spoken. After they had spoken their regret I asked them to say the words “If only…” it was these that I have collected and used for my piece.

The soundworks create a connection others and ourselves. Most of us believe that our personal regrets are big, heavy and unique. This piece allows us a small window in to the regrets of others, the detail is not spoken, but the if onlys hold the resonance of the regret and its emotional entanglement.

I’m incredibly grateful to all the volunteers for sharing their regrets, and helping me discover that we forgive ourselves more easily for acting badly, while the deepest regrets are often those of inaction.